If there was a long-game to be played on this record, this was it—toying with a Miles Davis line of seemingly nonsensical sonic experimentation until finding that miracle place of otherworldly sound and space.
There's a similar sentiment every time I put Patterns on as Fowler's voice picks up on "For Me," while singing the penultimate verse: she's right, like all good old friends are.
This time there was no faffing about—I wrote my fiveish questions down in my catch-all journal during the lead-up to DIIV and Ariel Pink—wholly intent on clamming out some answers from DIIV and ignoring the fact that Ariel Pink was even going to be there.
You gotta convince the fools in the pit that...you fell asleep with that thing, your thing, an instrument, your instrument across your chest or under your head, passed out after exploring it with the curiosity of a serial cave diver.
How could you be so real, TV Girl, yet so close to Venice Beach and Malibu and Palm Springs?
Just how visceral is rock ‘n’ roll meant to be?